Fiat 1400 - The sensation from Turin
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Summary
The 1400 marked the beginning of chassis-free cars for Fiat. Chief designer Dante Giacosa came up with the idea back in the 1930s. With a little know-how from Chrysler and Budd, the idea then became reality in 1950. The design of the 1400 was also shaped by American influences, as can be seen from the wide rear window. Although the car was considered large at the time, the six-cylinder engine had to be dispensed with due to the Italian motor vehicle tax. This article describes the history of the Fiat 1400, explains the development of the model and points out special features. Over 80 historical photographs and examples from the sales literature of the time illustrate the beauty and design finesse of the car.
This article contains the following chapters
- The "big one" arrives
- Inspired by know-how from the USA
- Positive response despite delay
- The "big one's" little heart
- Torpedo Polizia
- The end of the 1400
- The model development of the Fiat 1400
- The model development of the Fiat 1900
Estimated reading time: 7min
Preview (beginning of the article)
When Fiat presented the 1400 at the Geneva Motor Show in the spring of 1950, it marked the beginning of a new era in Turin. The Italians had found their way to the uncompromising pontoon shape. At the Geneva Motor Show in March 1950, Fiat presented a sensation - the new "big one" of the 1400 type. This car could be regarded as the first genuine new design of the Fiat brand after the war. In the year of its actual completion, 1949, the 1400 was celebrated internally as an anniversary model, as Fiat had turned 50 years old. At the factory, the 1400 was only ever called the "Tipo 101", and its birth had already taken place in the summer of 1944. As a prototype - although not yet ready to drive - the 101 was on its wheels at the end of 1946. Chief designer Dante Giacosa had been able to realize his ideas of a chassis-less car, which he had already developed in the 1930s, and this also resulted in a low car weight. For the first time, Giacosa's signature was also visible in the body design - the 101 in fact bore the first body he created himself.
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