Moderate baroque - Ford 17M P2 in the (historic) test
Summary
In 1960, the Ford Taunus 17M was already in its fourth year of production. With its curves, fins and soft suspension, the big car from Cologne quoted American models, but under the bodywork was tried and tested European technology. The "Baroque Taunus" hardly had any weaknesses, although the front and rear axles did not harmonize perfectly, true to its nickname. This vehicle article reproduces an original test report from 1960 and shows the Ford 17M P2 in extensive historical images and sales material.
This article contains the following chapters
- Constructive
- On the road
- From the female perspective
- Technical data and test results
Estimated reading time: 13min
Preview (beginning of the article)
This report begins with a birthday wish: exactly three years ago, in August 1957, the 17M was the youngest offspring of the German Ford plant to appear before the critical public. It was criticized and it was praised, the experts measured it against the performance of the competition and the public did not hold back with their judgement: they bought it. The 17M is a successful car like its younger brother. A brother indeed, but a creature from another era. The growth of the 12M can be traced precisely through the "Junior", "Cologne", "Eifel" and "Taunus" stages. It is the typical evolutionary car, which in its beginnings could not quite deny the horse-drawn carriage as its ancestor. The 17M was born as a "car" and many of its technical details represent the mindset of a new era. You can see this from the outside. With its lines emphasizing the horizontal, the boldly sloping vertical front and the flat roof outlet, even the stationary 17M has a certain dynamism. The handling does not disappoint: although this Ford is not a "fast" car in the usual sense, the handling and acceleration forces complement each other so well that even the critical tester has to give it the rating "spirited".
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