Citroën Ami 8 - Almost bourgeois
Summary
Originally only intended as a quick emergency solution, the Citroën Ami 8 remained in the range for almost ten years. With a more mass-market look than the Ami 6 and unchanged outstanding comfort, it seemed to be the perfect compromise. However, it was already too ordinary for most Citroën fans, but still too Citroën for everyone else. In this article, we tell the story of the Citroën Ami 8 and its muscular brother, the Ami Super, and show that it is not always easy to please everyone.
This article contains the following chapters
- Double angles and cookies
- Spacious, comfortable, lame
- Super-Extra
- Successful emergency solution
Estimated reading time: 7min
Preview (beginning of the article)
The boss's extravagances almost cost Citroën its head. Instead of taking care of the necessary modernization of the lower model range, Pierre Bercot preferred to sink millions of francs into the takeover of Maserati, a luxury coupé that was as extravagant as it was complicated, and an ambitious Wankel engine project. What was left over for the development department was almost completely eaten up by "Project G", the future mid-range between the DS and Ami 6. Unfortunately, "La Missis" was also in urgent need of a refresh. The appearance in particular, which had already caused controversy at its debut in 1961, was increasingly criticized. The Citroën sculptor and DS designer Flaminio Bertoni, who died in 1964, had always considered the Ami 6 to be his best design - an opinion that was shared by fewer and fewer customers. So few, in fact, that by 1968 only 20 percent of sales were accounted for by the saloon with its idiosyncratic "Ligne Z", while the rest opted for the conventionally steep-sided estate. The Citroën sales department therefore insisted that the most urgent change to the new American saloon was a rear end that was more suitable for the masses. Pierre Bercot had previously only requested a smoothed front end.
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